Global Design History


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This project came about from a conversation between Dr Hui-Ying Kerr and Rebecca Bell on the nature of their research — how the two different areas of s ultra-capitalist Japan and Soviet Czechoslovakia related to each other, both on opposite sides of the spectrum and the world, whilst inhabiting a similar time period.


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What linked these two worlds together was their sense of being sandwiched between cultures; of being on the periphery. From this was born the idea of negotiating internationalism itself, and the assertion of an agency born in the periphery, and accepted by the Design History Society for their affiliated panel at the College Arts Association Annual Conference, CAA It is projected that this networking event will provide opportunity to continue conversations in this area, redefining boundaries and urgencies in the research, and culminating in a directed journal article for the Journal of Design History, and the identification of potential avenues for further funded research.

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Addressing the Challenge This research intends to address other concerns not yet explored, of centrality, periphery, conflict, subversion, and dialogue with the hegemony of patriarchal, often Western, modernisation. People This project came about from a conversation between Dr Hui-Ying Kerr and Rebecca Bell on the nature of their research — how the two different areas of s ultra-capitalist Japan and Soviet Czechoslovakia related to each other, both on opposite sides of the spectrum and the world, whilst inhabiting a similar time period.

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Making a Difference It is projected that this networking event will provide opportunity to continue conversations in this area, redefining boundaries and urgencies in the research, and culminating in a directed journal article for the Journal of Design History, and the identification of potential avenues for further funded research. Staff profiles Hui-Ying Kerr. Share this page.

The Journal of the Design Studies Forum

Design in the Soviet Union, Weimar Germany, France, Great Britain Western and Southern Europe Central and Eastern Europe, Scandinavia, Latin America: Cuba, Mexico, Brazil, The Near and Middle East, World War II, Design historian Victor Margolin felt some concern when the project started ballooning. He had no idea that the book he began fifteen years ago would explode into an encyclopedic multi-volume set … a resource for scholars and students of design, art history, history, anthropology and sociology, as well as a resource for professional designers.

Each chapter has an extensive bibliography, providing scholars with a jumping-off point for further research. At a time when Jony Ive's creations for Apple are as much status symbol as a technological advance, Margolin believes that the discipline's potential lies in solving big problems and the creation of culture, not just the newest products. This philosophy informs his forthcoming book, [ World History of Design ], a multi-volume set 15 years in the making that evolved from a textbook into a narrative tracing the arc of creativity and innovation, and how it shapes society.

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Spanning prehistoric times to WWII, the first two volumes coming out in April weigh in at 1, pages; he expects the in-the-works third volume covering the Cold War to the computer age to be two-thirds as long. Both new and experienced scholars will discover an abundance of new material on little-known topics World History of Design encapsulates a vast body of knowledge within a singular vision The World History of Design has a key role to play in helping to shape and reshape design historical knowledge, the design history curriculum and interdisciplinary opportunities, and possible future design historical trajectories.

What Margolin achieves in particular is to expand the design history canon beyond the traditional Westernised focus that has dominated it World History of Design covers a diversity of design disciplines; incorporates material and non-material history of design practice and profession history; and includes a great diversity of narratives and a plethora of images sourced from all over the world, which are not often seen in design history books It takes a holistic look at design, covering communication and product design, as well as design organisations, policies and publications.

Victor's work accurately charts where the future of design should be and inclusively looks at design the world over.

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