Wolfgang Amadeus Mozart
Andante grazioso III. Menuetto - Trio IV.
Adagio V. Menuetto - Trio VI. Andante VII. Divertimentos ; For 2 horns, 2 violins, viola, bass instrument ; Scores featuring the horn ; Scores featuring the violin ; Scores featuring the viola ; Scores with open instrumentation ; For 6 players.
Wolfgang Amadeus Mozart - Classical Archives
Holograph manuscript, Editor Gustav Nottebohm — Plate W. Originally scanned at dpi grayscale, converted to dpi monochrome. Editor Albert Dunning — At several points the second violin and viola combine in octaves, creating a striking, memorable sonority.
And the places where the triplets cease, at the end of each main section of the movement, serve to make the form clear at the same time as providing touching, intimate points of concentration. The second minuet is full of colour and surprise, its bright, quirky mood enhanced by the prominent horn parts.
The melody at the start features a folk-like sharpened fourth degree of the scale. Unexpected cross-rhythms alternate with suave, courtly phrases, and each section is rounded off by a sequence of four plucked chords. The trio, in the key of B flat and without horns, harks back, with its expressive violin solo, to the preceding Adagio. The finale has a short Andante introduction whose solemnity makes one, for a moment, think forward to Sarastro in The Magic Flute.
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The main part of the movement is a lively, compact rondo, whose episodes revisit in turn the main key centres of the work: C major, D minor, B flat major. The rondo theme makes use of an F major arpeggio, allowing the natural horns in F to play a prominent thematic role. One of the most beautiful touches comes in the final bars, when this figure, always heard before in unison, is now given a soft, undulating accompaniment, and is presented in imitation, with the bass answering the horns and first violin.
Das folgende Andante grazioso steht in derselben Tonart C-Dur wie das Andante der Kleinen Nachtmusik und zeichnet sich durch die gleiche Stimmung und instrumentalen Texturen aus wenn auch nicht mit deren rhythmischen Charakter.
Divertimento No 10 in F Major, K247 (Full Score)
Das erste der zwei Menuette wird aus kurzen, abwechselnd forte und piano gespielten Phrasen gebildet. Even Karajan takes the Andante of K at a faster clip, and he makes it sound more lively. That said, the recording is natural-sounding, the ensemble tight, the horns dramatic. I find much, but not all, of the playing of these two divertimenti appealing. Review This Title Share on Facebook.
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